- “The Thrill Has Gone”
- Percy Sledge has Gone
- Toni Green & Malted Milk “Just Call me”
- Take Me to the River
- CD Review: “It’s All About Me” by Ms. Jody
- Prince Ronnie Love, “Back 2 Love”
- BOBBY BLUE BLAND JANUARY 27, 1930-JUNE 16, 2013
- Theodis Ealey, “You and I Together”
- Mud Morganfield, “Son of the Seventh Son”
Percy’s humble beginnings began in Leighton Alabama where as a boy, he picked cotton and hummed and sang all day long. He sung in the church where he honed his singing skills. Later, working as an orderly in a hospital, a patient heard him singing and introduced him to a record producer. They recorded Percy’s huge hit which sold more than a million copies and became the label first gold record.
He was inducted in the Rock and Roll Hall of Fame in 2005. His albums included “Warm and Tender Soul,” “The Percy Sledge Way,” “Take Time To Know Her,” and many other great hits. His first and biggest hit was covered by Michael Bolton which topped the Charts and garnered a Grammy for Michael. Percy’s final album was “The Gospel of Percy Sledge,” released in 2013.
In an earlier interview, Percy said the song, “When a Man Loves A Woman” was in a response to a woman that left him for another man. He never received one penny of royalties from the song because he was not listed as a writer. The royalties went to his band mates.
Percy is gone, but his soulful ballards will live on forever…
“Take Me To The River” is a documentary that had its world premiere in Austin Texas on Tuesday, March 11th at the South By South West (SXSW) conference. The documentary is a celebration of music and a history of Memphis Tennessee with some of the biggest artists from that area. It’s directed by Martin Shore and the narrator is Actor Terrence Howard. The late Bobby Blue Bland, Mavis Staples and William Bell provide the high lights from the Stax and Hi Tone recording days.
Attending the premiere was rapper Snoop Dogg, who did a duet with William Bell in the documentary. Look at the trailer, and you’ll find a very interesting take on the history of the music, and young rappers are buying into the early days of music……
IT’S ALL ABOUT ME
From Ms Jody
By Rojene Bailey, Host of BluesTime In The City
It’s only been a few years that Ms Jody has been doing this. In her 9 BCD’s (blues compact discs), that’s hard to believe, she has garnered a reputation for “bashing” men, loving men, exciting men, or just letting them know what she thinks. Now, she’s back with her latest works, “It’s All About Me.”
The main reason I love the Blues is because of the stories the artists like to tell. This one certainly does not disappoint, but she added a little more flavor to it. Let’s take the first cut, “He’s My Candy Man.” Ms. Jody tells of her appreciation of her man. This song is a delight, especially if you are one of the men that have been bashed in the past by Ms. Jody.
It is no secret, according to Ms. Jody, that if you are a woman, you’d better look out for yourself, mainly because you cannot always depend on a “Man.” The title cut, “It’s All About Me” reminds all women and men that sometimes, you have to take your life back. You’ve got to make yourself happy, if you are to live a happy life. I can relate, because I am the happiest man in America. This one hit it on the head. Not flashy, but a great story of personal survival. And women of the world, Ms. Jody reminds you to hold you man close because there is a woman out there that’s after him. “Every Woman For Herself” is just the right cut on this BCD to serve as a reminder that even your friend(s) may be after your man.
This is where it gets kind of strange to me. This daughter of a preacher has a great reputation of bashing men, as I have mentioned. The song “I’m Going to Stand By You” is the ultimate support song by a woman for a man. Maybe Ms. Jody knows something I don’t know, but I thought it was a great touch by a woman who is obviously sympathetic, intelligent, and passionate. Is Ms. Jody beginning to have a softer spot in her heart for us men? I doubt it. But it’s a great song, regardless of the reason she included it on this BCD. “The Best No Good Man I Ever Had” put a touch of Reggae spin on the song that answers the age old question, Why is she with him? She breaks it down to basics here. In my show each week, I play a song that I call “The Low Down Dirty Lying Cheating Blues Song of the Week.” “One Hour Baby” puts a new spin on cheating, 2014 style. It is my new ultimate cheating song.
And she did not forget those men and women that want to hit the dance floor with or without a partner. “The Rock” will definitely take you there and “Ms. Jody’s Boogie Slide” will put you on the floor with that line dance group to slide to.
“It’s All About Me” does not break any new musical ground for Ms. Jody, but it does continue to keep her in the forefront of performing great Southern Soul music. Look to hear cuts from this BCD on BluesTime In The City in the upcoming weekends. It’s that good to me.
PRINCE RONNIE LOVE
BACK 2 LOVE
by Rojene Bailey
The first track on the BCD (blues compact disc) opens by telling the story of a man that’s been in love. If you cannot identify with this song relating to at least one past relationship, then something is wrong. Prince Ronnie does an excellent job of setting up the BCD with what’s to come with “Daylight With A Flashlight.” “My Love Bone” is sure to thrill you, letting all men know that love at first sight is a reality. It does not in no way remind you of Johnnie Taylor’s “Love Bones.” It’s quite the opposite and much more “bluesy.” Don’t let the title fool you.
Not every track is great, as in any CD distrubuted today. But 80 percent of the tracks are really good. His style is that of a R & B singer laced heavily with good old blues. And he was not afraid to identify with problems so many of us have today, as in a any good blues song.
“Everytime I Turn Around” is for all of us who have family members or friends that want to take advantage of one’s success. Always wanting to borrow money. Listen to this song and Prince Ronnie will tell you exactly to handle the situation in a thoughtful, psychological manner. Great touch to the BCD.
Roy Roberts is the producer, writer and guitarist on the track list. The brilliant guitar work reminds me of a crosss between a virtuoso and an amateur; meaning it’s a great piece of work, with the scratching out of the blues that’s gritty, but good. Sort of like back in the day. But I must say and being honest here, the horns and the timing on a couple of the cuts are a little off. But I don’t hold that against them because the rest of the BCD more than makes up for it.
All and all, I give Prince Ronnie Love and “Back 2 Love” four (4) blues notes out of five. It’s on CDS Records and has only been out for a few months. And as usual, you can hear cuts from Prince Ronnie’s BCD on BluesTime In The City with me, R-R-Rojene Bailey every weekend. Click the tune in tab on this page to find the stations and times, or use the “Tune-In Radio App” and put “BluesTime” in the search window.
BOBBY BLUE BLAND
JANUARY 27, 1930-JUNE 16, 2013
How fortunate can one person be to have been in the presence of a great artist like Bobby Blue Bland. A lifetime fan, I was fortunate enough to play his music on my radio program, and to have actually sat down and talked with him. I’m a very fortunate and lucky man.
Mr. Bland passed on Sunday, June 16th at his home in Memphis Tennessee. A member of the blues community, seemingly forever, he entertained us with his incredible number of hits year after year after year.
He was born in January of 1930 in Rosemark Tennessee as Robert Calvin Brooks, then he became Robert Calvin Bland, but known to the world as Bobby Blue Bland. Bobby was a Blues and Soul icon that entertained the world with his precious style of singing. One thing everyone could say about Bobby and one thing that everybody knows, when Bobby sang, you knew immediately it was him. Nobody had that voice, that tone, that style, that distinction, nobody had THAT but him.
Bobby was honored by The Jus Blues Music Foundation with an Award that was named in his honor in August of 2011. He was inducted into the Rock and Roll Hall of Fame in 1992: He received the Recording Academy’s “Lifetime Achievement” Grammy in 1997: In 1998, he received the Blues Foundations’ “Lifetime Achievement Award, and there were many other honors and awards including the Tennessee Governors Arts Award in April of this year. All of this from very humble beginnings going back to parking cars on Beale Street in Memphis Tennessee in the late 40’s, to singing in a group called The Beale Streeters with BB King, Johnny Ace, Junior Parker, Roscoe Gordon and Earl Forrest, to serving as a chauffeur and valet for Junior Parker and B.B. King to recording for Modern Records, Chess Records, on to Duke Records, to headlining his shows and to Malaco Records in 1985 where he cut a series of albums that appealed to his people. He had 63 singles on the charts from 1957 to 1985, an incredible feat for a Blues Man. His music has been covered by rock artists and covered some more by rock artists, and even some of his music was sampled by Jay Z. He was admired by young and old alike.
Some of the articles over the past week on Bobby Blue Bland said that “Bobby did not reach the heights that artists such as BB King, Ray Charles and others of that genre reached.” I totally disagree. When you attended a Bobby Blue Bland Concert, and saw the people that he appealed to, he was at the summit. You did not see the same type people at B.B. King’s concerts or the Ray Charles concerts that you saw at Bobby Blue Bland concert. Bobby knew his audience, and some of those writers totally did not understand Bobby Blue Bland or his music.
Bobby, another great Blues Man, has gone. His memory will live forever in the music he made, and through the messages that comprised his music. Here’s a quote from an interview Bobby did on The House of Blues Radio Show. ”I’d like to be remembered as just a good old country boy that did his best to give us something to listen to and help them through a lot of sad moments, happy moments, whatever.”
I’m happy: Happy to have had Bobby Blue Bland as a part of my life. This weekend on BluesTime In The City, the entire second hour will be dedicated to Bobby, with music, sound bites, and just fun with “THE MAN.” Rest in Peace Mr. Bland….
THEODIS EALEY HAS DONE IT AGAIN….HE’S HIS OLD SELF AND I LIKE IT
HIS LATEST WORKS IS “YOU AND I, TOGETHER”
His latest works is “You and I Together,” which was just released. I think Theo put a lot of thought in this one, not that he did not put a lot of thought in his prior releases. I really think he got kind of stuck in “The Stand Up In It” label and did not know how to get out of it for a while. With this release, he’s definitely lost that label and is forging ahead. Don’t get me wrong, it was nothing wrong with “Stand Up In It” but it was a little over the edge for me. He even went as far as to employ the services of some former Curtis Mayfield and Lenny Kravitz personnel for this one.
And speaking of over the edge, you can easily miss a beat on the first cut of this BCD (blues compact disc) and hear something that is not there. The cut, “Shut The Puck Up” can easily be heard as something that rhymes with “Puck.” Not to worry, I’ve listened to it many times over and it is very clean. He does a couple of tunes with Lacee Reed, an up and coming Southern Soul star of “I Ran a Good Man Away” fame. The songs, “You and I Together” and “Think It Over” were beautifully done. Theodis really lets Lacee showcase her talents in both of these songs. On a side note, Theodis is quite known for letting artists on his shows showcase their talents.
The remake of the old Wilson Pickett tune “634-5789” just seemed to be a natural for Theo. He put his special bluesy, soul, rockin touch to the song, and I predict that this tune will do much greater than even Theodis anticipates. If he used this song to “add another track” to the BCD, I think he will be very surprised. It’s a great remake. And cut number 8, The Old Man Story, aka (MBFDD) may be a little provocative, if not raunchy. But keep in mind, this is grown folk music. And grown folk music will bring the girls that got “Them Blue Jeans On” which is cut number 11, and a pleasant addition to the Album. But my favorite on the entire BCD is the everyday life, everyday situation, everyday story, “Number One Baby.” This is a great story that only a bluesman can put into a song.
Overall, I like it that Theodis is back with such a powerful piece of work. You will hear cuts from it on BluesTime In The City. And thinking about it, that’s what Theodis does….Whether he’s “The Stand Up In It Man,” “The Blues Man Lover,” or “The Man In Black,”….he makes great Blues.
MY BLUES MY SOUL
COOL RICKY BLUES IS REALLY “COOL”
By Rojene Bailey, Host of BluesTime In The City (October 13, 2012)
I very seldom pick up a BCD (Blues Compact Disc), stick it in the machine and enjoy the first cut on it. As a matter of fact, I very seldom pick up a BCD. I’m of that tech age where if it’s not on a computer, or on my Ipad or Iphone, I don’t listen to it. But, for some reason I picked up Cool Ricky Blues release of “My Blues My Soul.”
The first cut caught my ear. It was true Southern Soul with a great story line. Maybe it was the guitar licks that stood out, but never the less, I listened and I liked what I heard. I continued on to cut number 2, and it put a smile on my face. (Flash Back Here) I remember when I was Naughty 40, looking for a Dirty 30, which is the name of the tune, “Dirty 30, Naughty 40.” Then on the next tune, I was again reminded of some of the “stuff,””trash,””junk,” the boys use to talk on the street when the cut “You’re Stacked Like A Pile of Dirty Clothes.” That is a great line to describe the beauty and figure of a women. It’s also a great song, great story, and again, a great guitar.
I believe Cool Ricky wanted to be a comedian at one point in his life. Anyway, he describes this woman in blues terms, in terms that only a person that knows the blues can do, with a combination of perfection in his eyes, and a picture of the prettiest thing he’s ever seen. And speaking of pictures, there’s the tune, “A Picture Speaks Louder than Words.” OK, she cheated on him and broke his heart, but you get the “picture.” The title sounds simple, but he brings it back to reality when he discovers when the picture was taken, and using old technology to do so; A story teller for sure. Maybe it wasn’t meant to be this way, but that’s the way it grabbed me. It’s great!!!! And let me mention this. Cool Ricky brings to light what many men want to tell some women they meet today. “Your Babies” tells it like it is. This is one serious, real, but funny cut. And, let’s not forget a great club cut that’s included, “Girl You Hot.”
There are ten cuts on the BCD, and I really love seven of them, and the other three are not that bad. Cool Ricky is obviously a young man that’s been mentored in the old school blues which is what we need more today. You made me happy Cool Ricky and you will be hearing many cuts of this BCD on BluesTime In The City. I’m sure the listeners of BTIC will agree.
One day, I may snag an interview with the Cool one…… Working on it…. “Your Babies are just to bad for me.” That’s so funny!!! But so true…..
There’s only one Muddy Waters. There is only one Johnny Taylor. At least that’s what I thought. When Floyd Taylor first came on the scene, I would have bet my last dime that it was Johnnie. The sound, the resemblance, and the mannerisms told me that I could not be wrong. But I was. It was Johnnie’s son, Floyd Taylor. Now, it’s happening again, but only this time it’s Larry Williams. Larry goes in the name of Mud Morganfield, the eldest son of McKinley Morganfield, better known to the world as Muddy Waters.
Mud Morganfield released “Son of the Seventh Son” in January of this year, and I just really started paying attention to it. For the record, Muddy is one of my all time favorite blues artists. His “Muddy Mississippi Waters Live” is, in my opinion, the best blues album ever recorded. So for me, there will never be another. But listening to Mud’s BCD (blues compact disc), I may have to take those words back. We will only find out in due time, but he’s the closest thing out there.
From the opening song to the last, you hear Mud Morganfield, the son of Muddy Waters. The voice, the growl, the looks, even the hair is so Muddy Waters. This is not an act by Mud, but the genuineness of the bloodline of a talented blues family.
The BCD was produced by Bob Corritore who’s no stranger to the blues. When you listen to the BCD, you will hear the works of Bob on the harmonica, and another pleasant surprise is the drummer. Kenny “Beedy Eyes” Smith is the son of former Muddy Waters’ drummer, Willie “Big Eyes” Smith. And, there’s Rick Kreher on guitar who once played for Muddy. The musicians presented here are a who’s who is Chicago Blues.
How fitting that the generation of now is able to experience the likeness of Muddy Waters with the pure power and energy that Mud is doing. Only two of the songs on this BCD are songs that his father did and the rest are originals, mostly penned by Mud.
Mud is to be commended for his work on this BCD. He’s already an international star, and now his artistry is gaining momentum in the states. It’s kind of ironic; Muddy worked from the inside of the states out, and Mud is working his way outside of the states in.
By the way, my favorite song on the BCD is “Son Of The Seventh,” which tells the entire story. You just got to know where he’s coming from to understand this.
You will hear a lot of “Son Of The Seventh Son” on BluesTime In The City for some time to come. I Love Chicago Style Blues, and if this is any indication, which it is, Chicago Blues is here to stay.
For a special treat, go to this URL, and watch Muddy’s sons, Mud Morganfield and Big Bill Morganfield do their rendition of “Hoochie Coochie Man.”